Venue | Owlspot Theater |
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Dates | 10/27 (Thu) 19:30 10/28 (Fri) 19:30 10/29 (Sat) 14:00*10/30 (Sun) 14:00Box office opens 1 hour before. Doors open 30 minutes before.*Post-show talk |
Running Time | 100 min. (no interval) | Language | Performed in Korean with Japanese surtitlesEnglish synopsis available | Tickets | Advance: ¥3,500 / Same Day: ¥4,000 All seats reserved |
Early Bird Discount | ¥2,500 |
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Festival Pass (5 Performances) | ¥2,800 |
Festival Pass (3 Performances) | ¥3,000 |
Students Student ID required | ¥2,300 |
High School & Under Tickets Student ID or proof of age required | ¥1,000 |
The memories of the dead ask questions of the living
Kunhyung Parkʼs Theatre Company Golmokil cuts deep into contemporary society from the perspective of those who dwell in the backstreets. After producing a satire about the previous president of South Korea, Kunhyung Park had difficulty making new work for some time due to government pressure. Premiered in March to widespread attention, this ambitious play unfolds across four storylines: an army deserter in 2015; Korean kamikaze pilots in 1945; contractors for the United States military in Iraq in 2004; and the crew of a patrol boat sunk near Baengnyeong Island, on the maritime boundary with North Korea, in 2010. Tracing the lives of these people, the at times witty play transcends the divide of history to pose compelling questions for our lives in the present. Who is the perpetrator and who is the victim? Why is there war? And where is the real battle line?
Video
Photos
Artist
Kunhyung Park
Playwright, Director (Theatre Company Golmokil)
Born in 1963, Kunhyung Park also teaches directing at Korea National University of Arts. His major productions include “Beautiful Youth”, “Generation after Generation”, “Kyungsook, Kyungsookʼs Father”, “A Manchurian Front”, “Frog”, and Hideto Iwaiʼs “Outer World”. In Japan, his work has been staged at Shinjuku Tiny Alice, Ueno Storehouse, and Aomori Museum of Art. In 2010, he directed a Korean version of Oriza Hirataʼs “A Long Night in the Tropics”, which won a South Korea Theatre Award.
Cast & Creative
Written and Directed by | Kunhyung Park |
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Performers: | Yeonik Chang, Jinhwan Son, Jieun Kang, Younchoon Han, Jinwoong Lim, Donggap Seo, Soohee Ko, Taegeon Kwon, Wonjae Lee, Hoyeal Lee, Kookjin Kim, Eunu Kim, Byunggeon Kim, Kyoungil Kim, Dongwon Kim, Jaehyun Shim, Soyoung Ahn, Sarang Shin, Yeongbeom Na, Jeehwan Ahn |
Technical Manager: | Minsoo Park |
Stage Design: | Sangbong Park |
Stage Manager: | Eunjun Lee |
Lighting: | Changgi Kim |
Lighting Operator: | Myungjin Lee |
Music, Sound: | Minsoo Park |
Sound Operator: | Soomin Hong |
Choreographer: | Seongho Choi |
Costumes, Props: | Eunchang Bae, Hyeseong Ryu |
Makeup: | Kyeongsuk Jang, Sujin Park |
Surtitles Operator: | Jinung Jung |
Translation: | Juri Ishikawa |
Production Coordinators: | Hoyeal Lee, Juri Ishikawa, Yourim Jo (Namsan Arts Center), Moon Noh (Namsan Arts Center) |
Co-produced by | Namsan Arts Center, Theatre Company Golmokil |
Tokyo Production | |
Technical Manager: | Eiji Torakawa |
Stage Manager: | Kazuhiko Nakahara |
Stage Assistant: | Yukiko Kato |
Lighting Coordinator: | Makiko Sasaki (Factor Co., Ltd.) |
Sound Coordinator: | Akira Aikawa (Sound Weeds Inc.) |
Surtitles Coordinator: | Satoru Makuuchi |
Props Coordinator: | Hikari Osanai |
Costumes: | Naomi Shinohara |
Makeup: | Mizumi Nakanishi |
Technical Interpreter: | Myunghwa Hong |
Publicity Design: | Taichi Abe (GOKIGEN) |
Front of House: | Yukari Goto (TEAM#BISCO) |
Photography: | Jun Ishikawa |
Video Documentation: | SAIKOUDO Co., Ltd. |
Production Coordinator: | Akiko Juman (Festival/Tokyo) |
Production Assistant: | Niina Sugai |
Interns: | Mizuki Ishikawa, Ching Mei Tung, Yosuke Mori, Airi Yokoyama |
Presented by | Festival/Tokyo |