Théâtre de la Ville-Paris “Rhinocéros”
Venue | Saitama Arts Theater (Main Theater) |
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Dates | 11/21 (Sat) 19:00 11/22 (Sun) 15:00 11/23 (Mon) 15:00 Box office opens 1 hour before. Doors open 30 minutes before. |
Duration | 105 min. (no interval) |
Language | French (with Japanese surtitles) |
Tickets | S Seat Advance: ¥6,000 / Day: ¥6,500 U-25 Advance: ¥4,000 / U-25 Day: ¥4,500 A Seat Advance: ¥4,000 / Day: ¥4,500 U-25 Advance: ¥2,000 / U-25 Day: ¥2,500 Reserved seating |
Regular Tickets | (S) ¥6,000 / (A) ¥4,000 |
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Pair Tickets (per ticket) | (S) ¥5,400 |
5 Performance Set | (S) ¥5,400 |
3 Performance Set | (S) ¥5,400 |
U-25 Tickets | (S) ¥4,000 / (A) ¥2,000 |
Tickets on general sale from August 29th Available from Saitama Arts Theater Available from F/T Ticket Center from September 27th |
A radical new version of a Theatre of the Absurd classic
This highly acclaimed production of “Rhinocéros” by Théâtre de la Ville-Paris comes to Japan after triumphant tours around the world. Director Emmanuel Demarcy-Mota is renowned for his brilliant reinterpretations of the European theatre canon. His dynamic, technically impressive staging pays tribute to Eugène Ionesco’s timeless allegory of totalitarianism, while also making it fresh for audiences in today’s globalized world. Gradually the inhabitants of a small provincial town in France start transforming into the eponymous animals in this comic but terrifying political play. How long can the individual resist the growing might of the collective?
Plot Summary
One day, the kindly drunkard Bérenger and his friend Jean witness a rhinoceros suddenly rampage into their village. While the rest of the village is in uproar over the arrival of the rhinos, Bérenger is unconcerned. The next day, Bérenger goes to his office at the local newspaper to find everyone arguing about the rhinos. Mrs. Bœuf arrives, chased by a rhino, who promptly destroys the stairwell of the office. Her husband also works at the newspaper but has not come to work today. In fact, the rhino is her husband and she promptly jumps down the stairwell to join him. As the reports of rhinos in the village increase, Bérenger heads to Jean’s house to make up with him. But Jean too soon transforms into a rhino, as do Jean’s neighbors. The village is gradually taken over by the animals, leaving Bérenger and his colleague Daisy alone in the face of the peculiar mass plague.
Video
Artist Profile
Emmanuel Demarcy-Mota
Director of Théâtre de la Ville-Paris
Born in 1970. At the age of 17, Emmanuel Demarcy-Mota brought together several high-school friends to start a drama club at the Lycée Rodin in Paris. The enterprise was continued at the Sorbonne, where the group got larger. At the age of 22, he was invited to stage Ramuz’s “L’Histoire du soldat” (The Soldier’s Tale) at the Théâtre de la Commune-CDN d’Aubervilliers, which was selected for the Biennial Theatre Festival for Young Audiences in Lyon. He was artistic director of Comédie de Reims/CDN (National Drama Center) from 2002 to 2008. There he was the first director to stage the work of Fabrice Melquiot, with whom he set up an artist collective. He was appointed director of Théâtre de la Ville-Paris in 2008 and since 2011 has also served as director of Festival d’Automne.
Théâtre de la Ville-Paris website
Cast & Creative Team
Text: | Eugène Ionesco |
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Direction: | Emmanuel Demarcy-Mota |
Assistant Director: | Christophe Lemaire |
Artistic Collaborator: | François Regnault |
Set and Lighting Design: | Yves Collet |
Music: | Jefferson Lembeye |
Costumes: | Corinne Baudelot |
Make-up: | Catherine Nicolas |
Props: | Clémentine Aguettant |
Cast: | Hugues Quester, Serge Maggiani, Céline Carrere, Philippe Demarle, Charles-Roger Bour, Jauris Casanova, Sandra Faure, Gaëlle Guillou, Sarah Karbasnikoff, Stéphane Krähenbühl, Gérald Maillet, Walter N’Guyen, Pascal Vuillemot
Valérie Dashwood, previously announced in the role of Daisy, is replaced by Céline Carrere. |
Production: | Théâtre de la Ville-Paris |
Co-production: | Les Théâtre de la Ville de Luxembourg Le Grand T, scène conventionnée de Loire-Atlantique |
Translation: | Shoichiro Iwakiri |
Production Co-ordination: | Hajime Matsuno, Sawako Haraguchi, Tatsuya Takagi (Saitama Arts Theater), Akiko Juman (Festival/Tokyo) |
Supported by | Institut français, the Agency for Cultural Affairs, Government of Japan in the Fiscal 2015 |
Under the auspices of | Ambassade de France, Institut français du Japon |
Presented by | Saitama Arts Theater, Festival/Tokyo Executive Committee, Toshima City, Toshima Future Culture Foundation, NPO Arts Network Japan (NPO-ANJ) |
In co-operation with | Arts Council Tokyo, Tokyo Metropolitan Theatre (Tokyo Metropolitan Foundation for History and Culture) |
Premiere: October 2004, Théâtre de la Ville-Paris | |